“In the Tamil speaking region of South India we may speak without the slightest suggestion of disrespect, of artists and poets making the Gods in their own image” says Dehejia as she introduces the six-part lecture series titled the The Thief Who Stole My Heart: The Material Life of Chola Bronzes from South India, c. 855–1280.

From tracing the source of the copper which was needed in huge quantities, given that these bronzes were solid and not hollow, and that Tamil Nadu has no copper deposits, to exploring the role of women patrons who commissioned the bronzes, and the smallest of nuances of the work of the artists that created these bronzes which are “evocative, sensitive, exceedingly sensual in their portrayal of an idealised body”, the lectures are enlightening, to say the least.

Beginning by quoting from various poetic works that describe the gods, Dehejia looks at how the artists turned the meticulously detailed description of the ‘sensuous body of God’ by the artists and poet saints of Tamil Nadu and ‘translated this poetic ecstasy’ into these tangible pieces of artistic excellence.

One of the foremost instances of “outsourcing” old copper was sent from Aden to Mangalore for new products to be created from them and shipped back. But why was copper shipped to India, if India already had it? What was Sri Lanka’s role in the copper saga? Was copper a reason for the Chola obsession with the Lankan land? What is the importance of ornaments in the Indian artistic tradition? Many such questions have been answered in this series.

Do watch:

Part 1: Gods on Parade: Sacred Forms of Copper

Part 2: Shiva as "Victor of Three Forts": Battling for Empire, 855–955

Part 3: Portrait of a Queen: Patronage of Dancing Shiva, c. 941–1002

Part 4: An Eleventh-Century Master Sculptor: Ten Thousand Pearls Adorn a Bronze

Part 5: Chola Obsession with Sri Lanka and the Silk Route of the Sea in the 11th and 12th Centuries

Part 6: Worship in Uncertain Times: The Secret Burial of Bronzes in 1310

The Thief Who Stole My Heart

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